You can access and download my writing here.

Culture Club, 2020-present.

Town Council for Noobs, aka TC4N, 2019-present.

Amherst Indy, where Culture Club and TC4N appear.

Against Immediacy: Video Art and Media Populism. Hanover: University Press of New England/Dartmouth College Press, 2016.

Adventure (for Adults). New York: Kayrock, 2015.

Pop Cinema: Art and Film in the U.K. and U.S., 1950s-1970s. Philadelphia: International House, 2011.

“Please Teach Me…” Rainer Ganahl and the Politics of Learning. New York: Columbia University, Wallach Art Gallery, 2005.

Book Chapters
“The Apotheosis of Video Art.” Re-envisioning the Contemporary Art Canon, edited by Ruth Iskin. New York: Routledge, 2016.

“Computer Participator: Situating Nam June Paik’s Work in Computing.” Mainframe Experimentalism: The Experimental Arts and Early Digital Computing, edited by Douglas Kahn and Hannah Higgins. Berkeley: University of California Press, 2012, 229-239.

“Live on Tape: Video, Liveness and the Immediate.” Art and the Moving Image: A Critical Reader, edited by Tanya Leighton. London: Tate Publishing/Afterall, 2008, 258-272.

Selected Essays and Articles
“Bookmill Circles Toward Normalcy.” The Montague Reporter (May 27, 2021): A1.

“Avant-Broadcasting (Circa 1984).” For NamJunePaik.site (2020).

“Nancy Grossman: Tough Life Diary.” Women’s Art Journal, vol. 35, no. 1 (Spring, 2014): 48-49.

“Chris Marker: Guillaume-en-Egypte” Artforum International (January, 2014): 216.

“Voice-Off: John Smith’s Moving Diaries.” Moving Image Review & Art Journal (MIRAJ), vol. 2, no. 1 (2013): 116-123.

“Steve Locke.” Artforum International (November, 2013): 292-93.

“Nam June Paik: Global Visionary.” Artforum International (April, 2013): 255.

“Stan VanDerBeek: Culture Intercom.” Artforum International (April, 2011): 210.

“Greenroom.” Artforum International (March, 2009): 239.

“Steps to an Ecology of Communication: Dan Graham, Radical Software and the Legacy of Gregory Bateson.” Art Journal, vol. 67, no. 3 (Fall, 2008): 86-107.

“The Believers.” Modern Painters (July-August, 2007): 82.

“The Institutionalization of Contemporary Art: On the Opening of the New ICA, Boston.” Texte zur Kunst 65 (March, 2007): 231-235.

“After Shock and Awe, or, War Porn, The Plight of Images and the Pain of Others: Considering Two Recent Exhibitions by Thomas Hirschhorn,” Aftershock (2006), http://www.aftershockmagazine.com/Kaizenwar.html

“In and Out of Order: Review of the Exhibition Open Systems at the Tate Modern.” Texte zur Kunst 60 (December, 2005): 215-219.

“Interview with Brian Tolle.” Bomb 76 (Summer, 2001): 58-63.

“Noise, Control, Noise: Sonic Youth’s Audio Visuals.” Art Papers 25, no. 2 (March/April, 2001): 22-27.

“Framed Space: Allan Kaprow and the Spread of Painting.” Grey Room, no. 13 (Fall, 2003): 80-107.

“Richard Hamilton’s Tabular Image.” October 94 (Fall, 2000): 113-128.